Marcel duchamp biography arte cinetico

Embodying the intellect of his literary contemporaries Marcel Proust and James Joyce, Marcel Duchamp — has been aptly described by the painter Willem de Kooning as a one-man movement. Born in Normandy in northern France, Duchamp traveled back and forth between Europe and the United States for much of his life.

L'arte cinéticu ye una

One of his most important works, Nude Descending a Staircase No. With Bicycle Wheel ; now lost , the first readymade, Duchamp moved toward a creative process that was antithetical to artistic skill. He wanted to distance himself from traditional modes of painting in an effort to emphasize the conceptual value of a work of art, seducing the viewer through irony and verbal witticisms rather than relying on technical or aesthetic appeal.

The object became a work of art because the artist had decided it would be designated as such. Bicycle Wheel consisted of a fork and the wheel of a common bicycle that rested upon an ordinary stool. The mundane, mass-produced, everyday nature of these objects is precisely why Duchamp chose them later works would include a snow shovel, a urinal Philadelphia Museum of Art , and a bottlerack Philadelphia Museum of Art , to name a few.

As a result, he ensured that the fruits of modern industrial life would be a fertile resource in the production of works of art. His work can easily be understood as a forerunner to this revolutionary sensibility, which actively sought to undermine the reigning values of conservatism that governed Europe and that perpetuated the devastating reality of World War I.

The nature of New York Dada was less overtly political than its European strain. His use of irony, puns, alliteration, and paradox layered the works with humor while still enabling him to comment on the dominant political and economic systems of his time. His extensive preparatory drawings, writings, and studies for The Large Glass many of which are contained in The Green Box of [ His artistic evolution must therefore be understood as an assault on traditional artistic practices and a desire to accommodate a modern-day fascination with industrial processes and products.

Although in the s, Duchamp famously renounced artmaking in favor of playing chess for the remainder of his life, he never fully retreated from his quintessential role as artist-provocateur. A prolific artist, his greatest contribution to the history of art lies in his ability to question, admonish, critique, and playfully ridicule existing norms in order to transcend the status quo—he effectively sanctioned the role of the artist to do just that.